Wayne R. proposed in this blog post that Kobolds might be more interesting as "Dungeon Elementals" - creatures that exist only to reset dungeon traps, lock doors, clean up stuff, etc. Almost more of a Dungeon Maintenance Crew than the race of Draconic Megalomaniacs that they've evolved into.
Go read his article, it's really quite inspirational. I'm not going to repeat much, but instead I'll offer some thoughts of my own.
I love this idea. It clings to the sort of weird ecology that one might find in a universe where D&D things are possible. Kobolds are to Dungeons (specifically dungeons, not just caves) what Faeries are to Nature. The deepest, darkest Dungeons (as proposed in this blog entry) may touch the elemental plane of Earth, and may not even truly have been "built" so much as "grown". Maybe Kobolds are the Earth Elemental's way of maintaining and driving their creations once they've slipped into the Prime Material Plane. If you subscribe to the "Malicious Dungeon" concept, then Kobolds may be the agents of that malice, like electrons are to electrochemistry. Or conversely, once mortals build their dungeons deep enough, they inadvertently catch the attention of the lords of the plane of Earth, who send their material-plane allies to work the dungeon. Why? Who can fathom the will of Elemental Lords? ;)
In any case, Kobolds themselves are rarely encountered in person. They are exceedingly stealthy and can create secret passages as necessary to move around a dungeon undetected. As minions of the Elemental Lords, they seek to bring order to any dungeon they are charged with. They will coexist with other dungeon inhabitants, but in a Kobold-infested dungeon, even the monsters know to tread lightly. The Kobolds may not interact with them directly, but any denizen who causes too much conflict will find themselves on the wrong end of a trap, or locked in a room they could previously leave at will.
A Kobold infestation is a very serious threat to any mining operation, and many a delve has had to be abandoned after it reached too far into the ground.
So how do you get rid of a Kobold infestation? If you can trap them yourself, you'll find that they are physically unimpressive and easily slain. But hunting Kobolds is almost more like hunting Poltergeists, and their numbers are always more than you imagine them to be. Rumor has it that in order for an Earth Lord to send Kobolds, it must establish a gateway somewhere in the dungeon, and destroying this gateway is the only known way to end the Kobold threat. Once the connection to their Lord is lost, the Kobolds will gradually fade away, perhaps in search of another dungeon, perhaps re-absorbed by the very rock itself.
Wednesday, January 29, 2014
Tuesday, January 28, 2014
Character: Vanir the Halfling Storm Sorcerer
I made this guy up for D&D 4e a little while ago, and just rediscovered him while updating another 4e character on the D&D Insider character builder. He's actually a response to a question I asked myself - "Now that I have a Pathfinder Elemental Sorceress, what would a similar 4e character look like?" I got kind of off the rails though, and Vanir shares little with Jinna aside from their elemental sorcery.
To borrow a trick from Numenera, you could describe him as a “Halfling Storm Sorcerer who Dances with Wolves”.
====== Created Using Wizards of the Coast D&D Character
Builder ======
Vanir, level 1
Halfling, Sorcerer
Build: Storm Sorcerer
Animal Master Starting Feature Option: Dog
Spell Source Option: Storm Magic
Found in the Wild (Heal class skill)
Theme: Animal Master
FINAL ABILITY SCORES
STR 12, CON 11, DEX 18, INT 11, WIS 8, CHA 18
STARTING ABILITY SCORES
STR 12, CON 11, DEX 16, INT 11, WIS 8, CHA 16
AC: 14 Fort: 11 Ref: 14 Will: 16
HP: 23 Surges: 6 Surge Value: 5
TRAINED SKILLS
Arcana +5, Athletics +6, Heal +4, Nature +4
UNTRAINED SKILLS
Acrobatics +6, Bluff +4, Diplomacy +4, Dungeoneering –1,
Endurance +0, History +0, Insight –1, Intimidate +4, Perception –1, Religion
+0, Stealth +4, Streetwise +4, Thievery +6
POWERS
Basic Attack: Melee Basic Attack
Basic Attack: Ranged Basic Attack
Animal Master Attack: Distracting Attack
Halfling Racial Power: Second Chance
Sorcerer Attack 1: Lightning Strike
Sorcerer Attack 1: Storm Walk
Sorcerer Attack 1: Whirlwind
Sorcerer Attack 1: Howling Tempest
FEATS
Level 1: Sorcerous Blade Channeling
ITEMS
Cloth Armor (Basic Clothing) x1
Adventurer's Kit
Staff Implement x1
Dagger x1
====== End ======
Monday, January 27, 2014
The SWords & SWizardry game continues....
I got in a session yesterday for "D&D's Birthday". A week or so ago, the party had gone on a successful firebeetle hunt in the Delve, and gained enough XP to level up. The wizard's new access to 2nd level spells had him spending tons of GP on researching new spells and creating scrolls, not to mention using "Continual Light" (which in S&W, as in the older D&D's, is permanent) to upgrade party's lanterns.
Last night, the town's mayor invited the part up to his estate for dinner and of course to discuss some business. It seems that the local abby is hot to purify and reclaim the tomb of Saint Ulther (which the party had discovered in the Delve a few weeks ago), but are not happy about the idea that this Delve goes much deeper, and and probably contains increasingly dangerous foes who may wander up during a veneration service to eat some acolytes. So the Mayor and Abbot wish to retain the party as a "cleaning crew", officially sanctioning their activities (in other words, identifying them as friends, not rivals), and are willing to provide some "technical support" in the form of two magical staves - raise dead (8) and cure light wounds (50). The party quickly did the math on the equivalent cost in healing potions and raise dead spells, and decided that was a fair deal. They're on a timetable now though, and needs to get that Delve cleared out inside of 3 months, since that's when the pilgrims are coming.
The next day, the party descended to Level 4 of the Delve, wherein dwelled a huge and fearsome beast (the eventually determined it was a Manticore - really a bit outside their "comfort zone" to engage). The fighter used the Mage's new "Strength" spell to boost himself from a passable 13 up to an 18 strength, the bonuses of which came in handy over the course of the adventure.
As it turned out, there were also a number of goblins holed up down there. As many of their kin had become food for the beast, they were pretty scared, and they were willing to make a deal with the party to help defeat the beast. In reality, they hoped to loot the treasure room while the beast was chewing on the party, but it didn't work out that way for them. Though they took the brunt of the beast's attacks, the goblins and party actually made a fair dent in the beast's health, and only a few goblins died before the fighter critically hit with his battle axe. (The fighter wanted to chop off the Manticore's tail. I decided that if the fighter rolled a 20, he'd succeed. And wouldn't you know it, the next attack was a 20.) The Wizard plugged the beast with a magic missile to finish him off.
The party rushed in to the treasure room (having a fairly good idea what the goblins were up to), and the fighter slew two goblins in one stroke. (The advantages of being a fighter in S&W - you can take out low HD critters quickly) The remaining goblins fled, and the party carried as much of the treasure out as they could (thanks to the Fighter's temporary 18 strength, he just hoisted the treasure chest on his shoulder and carried it out).
And that was the end of that trip into the Delve. The party plans to go right back in, even though that means they won't be able to replace the Strength scroll in time. They want to prevent the Goblins from stealing the rest of the treasure.
However, there is a second Manticore, and it's not going to be happy that they killed its mate. And this time, they won't have a half dozen goblins to distract it.....
Last night, the town's mayor invited the part up to his estate for dinner and of course to discuss some business. It seems that the local abby is hot to purify and reclaim the tomb of Saint Ulther (which the party had discovered in the Delve a few weeks ago), but are not happy about the idea that this Delve goes much deeper, and and probably contains increasingly dangerous foes who may wander up during a veneration service to eat some acolytes. So the Mayor and Abbot wish to retain the party as a "cleaning crew", officially sanctioning their activities (in other words, identifying them as friends, not rivals), and are willing to provide some "technical support" in the form of two magical staves - raise dead (8) and cure light wounds (50). The party quickly did the math on the equivalent cost in healing potions and raise dead spells, and decided that was a fair deal. They're on a timetable now though, and needs to get that Delve cleared out inside of 3 months, since that's when the pilgrims are coming.
The next day, the party descended to Level 4 of the Delve, wherein dwelled a huge and fearsome beast (the eventually determined it was a Manticore - really a bit outside their "comfort zone" to engage). The fighter used the Mage's new "Strength" spell to boost himself from a passable 13 up to an 18 strength, the bonuses of which came in handy over the course of the adventure.
As it turned out, there were also a number of goblins holed up down there. As many of their kin had become food for the beast, they were pretty scared, and they were willing to make a deal with the party to help defeat the beast. In reality, they hoped to loot the treasure room while the beast was chewing on the party, but it didn't work out that way for them. Though they took the brunt of the beast's attacks, the goblins and party actually made a fair dent in the beast's health, and only a few goblins died before the fighter critically hit with his battle axe. (The fighter wanted to chop off the Manticore's tail. I decided that if the fighter rolled a 20, he'd succeed. And wouldn't you know it, the next attack was a 20.) The Wizard plugged the beast with a magic missile to finish him off.
The party rushed in to the treasure room (having a fairly good idea what the goblins were up to), and the fighter slew two goblins in one stroke. (The advantages of being a fighter in S&W - you can take out low HD critters quickly) The remaining goblins fled, and the party carried as much of the treasure out as they could (thanks to the Fighter's temporary 18 strength, he just hoisted the treasure chest on his shoulder and carried it out).
And that was the end of that trip into the Delve. The party plans to go right back in, even though that means they won't be able to replace the Strength scroll in time. They want to prevent the Goblins from stealing the rest of the treasure.
However, there is a second Manticore, and it's not going to be happy that they killed its mate. And this time, they won't have a half dozen goblins to distract it.....
Wednesday, December 4, 2013
More Swords & Wizardry gaming, and a Way to Make Your M-U Spend All His Moneys
Over Thanksgiving, I broke out the S&W book, some dice, and "Dyson's Delve" (an old-school friendly dungeon system) for some impromptu gaming.
I had wife&kids roll up new characters on the spot, going hard core with "3d6 in order, swap two". Stats ranged from 7 to 14, with most in the 9-12 range, so no superheroes. My players chose very standard roles for themselves - Human Fighter, Elf Thief, Human Magic User. The setup was classic "Junior High" level D&D - the players are in a Tavern, when a guy named Dyson comes in, announces that after losing his party (again), he's had it with adventuring, and will give his treasure map to anyone willing to buy him a solid meal. The players fed him, got a few details about the dungeon from him, and set out the next morning.
I'll spare you the details this time, but everyone had fun and want to play more with these characters. My youngest player even told me she really enjoyed the game "even though we just rolled up characters and wrote them down on blank sheets of paper."
I think my success in this game was due to a number of factors.
First, we kept it VERY simple. We only had blank computer paper, dice and pencils. I sketched the parts of the map as they went along, describing the room and not worrying too much about scale. S&W's combat sequence is very simple, with per-side initiative and straight forward attack options. I didn't worry about movement rates and such, since the area was small enough.
Second, I tried to be more descriptive in my narrations. So instead of telling them that the passageway ends in a roughly 20x10 cave with a smooth floor, I'd outline out a rough region on the paper and say, "the passageway opens up before you to reveal a larger room. Some stalactites hang from the ceiling, but the floor is mostly smooth." I also tried to be less "there's a cave here with 10 giant rats" and more "down the passageway, you hear the squeaking of many creatures. As you approach, you can see that you've found a nest of giant rats, and their eyes glint hungrily as they turn from their scraps of food to face you."
(I'm not saying I didn't go for atmosphere before, but this time I completely disregarded any mechanical descriptions, like room sizes, etc. and relied on the sketched map to convey the rough size and shape of the room, and narration to describe the overall feeling and relevant details.)
And finally, I tried to keep some whimsey in the game to balance out the creepiness. For example, when the Fighter made his save against a ghoul's attack, I described the icy feeling of paralysis coming over the character, and his force of will to shake it off - "Not Today!" the player exclaimed. Later, when the M-U cast Sleep on a bunch of rats, he only got all but one of them. The little guy hunched over, shuddered in effort and with a baleful squeak, said something in rattish that probably means, "Not Today!" before he charged in to attack.
So, after the adventure, the players found themselves in possession of around 1000gp each. (In S&W as in all old-school D&Ds, gold is XP, so players tend to have a lot of it.) The M-U started asking about costs for making scrolls and stuff. Normally, Magic Users don't make scrolls at low level, but that ability is one of the things I really like about Pathfinder, so I came up with this:
An M-U can make a scroll of any spell he knows for 100gp + 100gp per spell level. So a 1st level scroll costs 200gp, 2nd 300gp, etc. This matches up (sort of) with S&W's treasure generation rules, and means that (as long as they keep finding gold), M-U players can bring the hurt. But a smart player won't blow a 400gp scroll to get less than 400gp of profit, unless death is on the line.
Also, I figured that an M-U can spend gp on researching spells. For any spell in the rule book that the M-U doesn't know, he can spend 100gp (double each level) to re-roll his "chance to learn" percentage. Twice that if he does not have access to either a spellbook or scroll containing that spell to work from. At high levels, this research is staggeringly expensive, and it's probably more cost effective to find high-level mages and steal their spell books. Even at moderate levels, it's worth throwing a few 1000gp at some adventurers to steal a book for you, if you know it contains spells you want. This works as motivation both for players and patrons.
I had wife&kids roll up new characters on the spot, going hard core with "3d6 in order, swap two". Stats ranged from 7 to 14, with most in the 9-12 range, so no superheroes. My players chose very standard roles for themselves - Human Fighter, Elf Thief, Human Magic User. The setup was classic "Junior High" level D&D - the players are in a Tavern, when a guy named Dyson comes in, announces that after losing his party (again), he's had it with adventuring, and will give his treasure map to anyone willing to buy him a solid meal. The players fed him, got a few details about the dungeon from him, and set out the next morning.
I'll spare you the details this time, but everyone had fun and want to play more with these characters. My youngest player even told me she really enjoyed the game "even though we just rolled up characters and wrote them down on blank sheets of paper."
I think my success in this game was due to a number of factors.
First, we kept it VERY simple. We only had blank computer paper, dice and pencils. I sketched the parts of the map as they went along, describing the room and not worrying too much about scale. S&W's combat sequence is very simple, with per-side initiative and straight forward attack options. I didn't worry about movement rates and such, since the area was small enough.
Second, I tried to be more descriptive in my narrations. So instead of telling them that the passageway ends in a roughly 20x10 cave with a smooth floor, I'd outline out a rough region on the paper and say, "the passageway opens up before you to reveal a larger room. Some stalactites hang from the ceiling, but the floor is mostly smooth." I also tried to be less "there's a cave here with 10 giant rats" and more "down the passageway, you hear the squeaking of many creatures. As you approach, you can see that you've found a nest of giant rats, and their eyes glint hungrily as they turn from their scraps of food to face you."
(I'm not saying I didn't go for atmosphere before, but this time I completely disregarded any mechanical descriptions, like room sizes, etc. and relied on the sketched map to convey the rough size and shape of the room, and narration to describe the overall feeling and relevant details.)
And finally, I tried to keep some whimsey in the game to balance out the creepiness. For example, when the Fighter made his save against a ghoul's attack, I described the icy feeling of paralysis coming over the character, and his force of will to shake it off - "Not Today!" the player exclaimed. Later, when the M-U cast Sleep on a bunch of rats, he only got all but one of them. The little guy hunched over, shuddered in effort and with a baleful squeak, said something in rattish that probably means, "Not Today!" before he charged in to attack.
So, after the adventure, the players found themselves in possession of around 1000gp each. (In S&W as in all old-school D&Ds, gold is XP, so players tend to have a lot of it.) The M-U started asking about costs for making scrolls and stuff. Normally, Magic Users don't make scrolls at low level, but that ability is one of the things I really like about Pathfinder, so I came up with this:
An M-U can make a scroll of any spell he knows for 100gp + 100gp per spell level. So a 1st level scroll costs 200gp, 2nd 300gp, etc. This matches up (sort of) with S&W's treasure generation rules, and means that (as long as they keep finding gold), M-U players can bring the hurt. But a smart player won't blow a 400gp scroll to get less than 400gp of profit, unless death is on the line.
Also, I figured that an M-U can spend gp on researching spells. For any spell in the rule book that the M-U doesn't know, he can spend 100gp (double each level) to re-roll his "chance to learn" percentage. Twice that if he does not have access to either a spellbook or scroll containing that spell to work from. At high levels, this research is staggeringly expensive, and it's probably more cost effective to find high-level mages and steal their spell books. Even at moderate levels, it's worth throwing a few 1000gp at some adventurers to steal a book for you, if you know it contains spells you want. This works as motivation both for players and patrons.
Friday, November 22, 2013
Light at the End of the Tunnel
My work overtime schedule is over, and I'm about to have some time off. So naturally my thoughts return to gaming. :)
Not sure if my home campaign will resume our Pathfinder campaign, start a new Pathfinder campaign, do some Swords & Wizardry, or something else entirely. Either way, I think I'm going to steer the campaign back towards a more "old school" aesthetic. You know, "a wizard wants you to fetch some obscure spell component", "you find the map to an abandoned dungeon", "the mayor's daughter was kidnapped by <X>", that sort of thing. I'm going to try to put the mystery back into the setting.
I'll let you know how it goes.
Not sure if my home campaign will resume our Pathfinder campaign, start a new Pathfinder campaign, do some Swords & Wizardry, or something else entirely. Either way, I think I'm going to steer the campaign back towards a more "old school" aesthetic. You know, "a wizard wants you to fetch some obscure spell component", "you find the map to an abandoned dungeon", "the mayor's daughter was kidnapped by <X>", that sort of thing. I'm going to try to put the mystery back into the setting.
I'll let you know how it goes.
Tuesday, August 13, 2013
A Curious Thought About Old vs. New School RPGs, and Player's Attitudes Towards Their Characters
Something about working late hours gets me philosophical, and I feel compelled to take that out on the rest of the web. (Or at least the few sturdy souls who read my blog, and all those search bots who are my loyal followers as well.)
Probably this is an epiphany only to me, but I think I finally get what the disconnect between Old School and New School gamers is with respect to their characters. I'm going to stick with D&D and Traveller as two examples of both Old School and New School games in their various editions. Plus, they're the games I'm most familiar with.
In an "Old School Game", your characters are very random. In both D&D and Traveller, players are admonished by the rules to "make do" with their characters, and only in truly hopeless cases do they get to roll up another before at least trying to play that character. (Traveller famously advises enrolling undesirable characters in the Scouts, because that is the service they're least likely to survive chargen in.)
In more "New School" games like D&D 3e and Mongoose Traveller, (and to a much greater extent games like GURPS or FateCore) you are encouraged to dream up a character concept and then "build" towards that concept through a combination of random and deterministic elements.
So where's the big revelation, you ask?
Well, it's this - in OSG, players are "dealt" characters, but in NSG, players create characters.
The difference has a profound effect on how players approach their games. "Dealt" characters are almost "pawns" or "hands" (as in poker) that give the player capabilities to use during the game, and some characteristics to aid in role playing (OSGs are still RPGs, after all). "Created" characters are drawn directly from the player's desires, and thus more closely represent the players' own alter-egoes.
In my case, I've generally viewed characters as being "dealt" - the challenge of dreaming up a way to play the stats and to employ the powers in a useful way is fun to me. Of course I also come to identify with my characters, since it's not really possible to play a role that does not contain your own personality to varying degrees. But a character's death isn't really any more disappointing to me than the death of a character in a TV show or book that I like.
Which I suppose puts me firmly in the OSG camp, though I think I enjoy the more elegant rule systems that the NSG camp generally has.
I can sympathize with those who view characters as a form of wish-fulfillment though, and given the preponderance of more NSG style games, it seems most people identify with their characters more than a little bit.
Probably this is an epiphany only to me, but I think I finally get what the disconnect between Old School and New School gamers is with respect to their characters. I'm going to stick with D&D and Traveller as two examples of both Old School and New School games in their various editions. Plus, they're the games I'm most familiar with.
In an "Old School Game", your characters are very random. In both D&D and Traveller, players are admonished by the rules to "make do" with their characters, and only in truly hopeless cases do they get to roll up another before at least trying to play that character. (Traveller famously advises enrolling undesirable characters in the Scouts, because that is the service they're least likely to survive chargen in.)
In more "New School" games like D&D 3e and Mongoose Traveller, (and to a much greater extent games like GURPS or FateCore) you are encouraged to dream up a character concept and then "build" towards that concept through a combination of random and deterministic elements.
So where's the big revelation, you ask?
Well, it's this - in OSG, players are "dealt" characters, but in NSG, players create characters.
The difference has a profound effect on how players approach their games. "Dealt" characters are almost "pawns" or "hands" (as in poker) that give the player capabilities to use during the game, and some characteristics to aid in role playing (OSGs are still RPGs, after all). "Created" characters are drawn directly from the player's desires, and thus more closely represent the players' own alter-egoes.
In my case, I've generally viewed characters as being "dealt" - the challenge of dreaming up a way to play the stats and to employ the powers in a useful way is fun to me. Of course I also come to identify with my characters, since it's not really possible to play a role that does not contain your own personality to varying degrees. But a character's death isn't really any more disappointing to me than the death of a character in a TV show or book that I like.
Which I suppose puts me firmly in the OSG camp, though I think I enjoy the more elegant rule systems that the NSG camp generally has.
I can sympathize with those who view characters as a form of wish-fulfillment though, and given the preponderance of more NSG style games, it seems most people identify with their characters more than a little bit.
Friday, August 9, 2013
What Does Lovecraftian Gaming REALLY Mean?
I've been a fan of H.P. Lovecraft and his peers since I first discovered weird fiction and cosmic horror back in High School. I read everything I could get my hands on - Machen, Chambers, Bloch, etc. The Chaosium fiction collections came out in my early adulthood, and I found (and still find) them a great source for stories I hadn't read before. (Aside: I had to stop reading "A Season in Carcosa" recently, because even though the stories seem innocuous enough, I found them seeping into my dreams. I'll read more once the creeping dread fades.)
But I have never had a lot of interest in "Lovecraftian" gaming. You know, lots of deep ones going after people, ghouls, big, floppy tentacled monsters, etc. Essentially, the "August Derleth" version of Lovecraft - name dropping and cataloging, but adding anything new.
While I enjoy a good historical wargame as much as the next guy, it seems to me that the general approach to Lovecraftian horror is more like quoting Monty Python skits than writing weird fiction. As a geek, I memorized plenty of M.P. in my youth, but laughing about their comedy is not the same thing as creating "Pythonesque" comedy for people to laugh at.
So, how then does one do something "Lovecraftian" without resorting to name dropping (or re-skinning)? It's a tough question, and I don't claim that I have the skill to produce such a thing. But perhaps I can categorize what it might look like.
What made Lovecraft's stories compelling to me was the way he took things that we all take for granted (or at least took for granted back in the dawn of the last century) and turned them inside out. Jesus' resurrection and plan of salvation, horribly echoed in Cthulhu's return and subsequent scouring of the Earth (recall that HLP was raised Baptist, though he renounced that faith), the fear of finding out that your ancestors were not what you were lead to believe and that you can't choose your own fate, the shock of discovering that maybe a brilliant artist is not as imaginative as everyone believes. The list goes on.
So how do you do something like that in Pathfinder/D&D or Traveller, specifically without invoking Elder Gods and Non-euclidean dimensions?
I'm not sure, but here are some thoughts.
Traveller's Third Imperium (The 3I) is in theory the easiest type of setting to convert to horror, since it rests in the conventions of the real world. However, it already has some "Elder Gods" (The Ancients - not godlike in stature, but certainly in power), hidden secrets (like who the Ancients were - spoiler alert from the 1980's: they were a mutation of a reclusive alien species found in enclaves throughout charted space), strange madness inducing phenomena (some people go mad seeing jumpspace) and hints that there was something more going on with how interstellar travel worked than anyone really knew.
These elements were not blatant expressed in the setting though. In fact, I suspect very few groups actually explored the darker side of the Traveller universe, preferring to focus on its decidedly humanistic and capitalistic themes. Mongoose Publishing's "Secrete of the Ancients" campaign did a good job of re-casting the Ancients as a living force within charted space, and had a nicely Lovecraft-y feel without invoking squid-headed super-beings. (Though there were some interesting ways that the Ancients achieved immortality.) But in the end, it was a Humanist's view of extradimensional horror seasoned with a dash of conspiracy theory, not something that contradicts your concepts of what reality is.
Clearly, something like Mass Effect's Reapers would work for Traveller, though they're more directly Cthuloid, not being "alive" as we know it, etc. But the Reapers are still re-skinned Elder Gods, returning when the stars are right to cleanse the galaxy for their own twisted reasons.
Where can we go in Traveller to reach the disturbing "We were SO WRONG ABOUT EVERYTHING" state required by cosmic horror?
Maybe psionic powers are really a mental connection with higher-dimensional beings from "jump space", who can cause the familiar psionic effects, but at a terrible if not obvious price to the psionic. And maybe these beings have a plan? Maybe that's too obvious - science is wrong, mystics are right seems like a cop-out.
Maybe the dawning realization that the entire Nobility structure of the 3rd Imperium is in fact composed of "Manchurian Candidate" type Bioconstructs. And maybe they have been deliberately directing technological progress for the last thousand years, relentlessly pushing for higher and higher power jump drives. And now, misjumps seem to be happening more frequently than in the past. Recently, a long-missing ship has appeared in the outer system with only minimal power signatures on board. A local professor wants to hire a ship to investigate....
Better, even if it's a little "God Emperor of Dune" crossed with the Star Trek:TNG episode "Conspiracy". It undermines with the understanding of how society works, if not the structure of the universe itself. That fits well with Traveller's humanistic focus, which might be a drawback to the concept.
I suppose you could imagine some setting in which punching ships through jump space is disturbing some sleeping entity (reverse-Azathoth?), but then we're back to re-skinning.
Pathfinder is already rife with Lovecraft inspired nastiness, but none of it is truly creepy. (ok, maybe Aboleths....) Of course that's because once you catalog something, it's no longer surprising. Many write ups have great atmosphere when you first read them, or really stop to think about them though. But ultimately, it's just another kind of monster to defeat or flee from. Paizo does a good job with huge, world-shattering plots and clearly are fans of Lovecraft (almost too much so, I sometimes think), but I wonder if it would be possible to take a more subtle approach?
What does that cosmic horror even mean in a world with magic, demons, aberrant horrors and monsters? Can you add anything that would invoke actual horror for the players?
What we need is to take something simple and fundamental to the setting, and turn it inside out, changing the significance into something more horrible than you would expect. That's not as easy as it sounds, since countless authors before you have already pushed the envelope on this one.
To really up-end a D&D type fantasy setting, you would need to do something screwy like have the entire thing be happening inside The Matrix. That's right, not magic and gods, but a transhuman post-singularity setting, where reality was a simulation that could be hacked from the inside. The "twist" is that though reality appears infinitely diverse, full of life, magic and will, it is in fact only the shadow cast by cold data, interacting in complex but ultimately artificial ways. Fantasy lives because of the wonder and infinite potential of the fantastical realty. Showing all that to be merely an illusion would be soul-crushing to a denizen of such a reality.
But would that be cosmic horror for the players, or their characters? I imagine it would cause more than a few players to stop playing, though that's only a victory for horror in a meta sense....
As I mentioned at the start, I don't have any good answers. I'm curious if anyone reading has some ideas how to bring cosmic horror to RPGs without simply invoking Lovecraft's memory.
But I have never had a lot of interest in "Lovecraftian" gaming. You know, lots of deep ones going after people, ghouls, big, floppy tentacled monsters, etc. Essentially, the "August Derleth" version of Lovecraft - name dropping and cataloging, but adding anything new.
While I enjoy a good historical wargame as much as the next guy, it seems to me that the general approach to Lovecraftian horror is more like quoting Monty Python skits than writing weird fiction. As a geek, I memorized plenty of M.P. in my youth, but laughing about their comedy is not the same thing as creating "Pythonesque" comedy for people to laugh at.
So, how then does one do something "Lovecraftian" without resorting to name dropping (or re-skinning)? It's a tough question, and I don't claim that I have the skill to produce such a thing. But perhaps I can categorize what it might look like.
What made Lovecraft's stories compelling to me was the way he took things that we all take for granted (or at least took for granted back in the dawn of the last century) and turned them inside out. Jesus' resurrection and plan of salvation, horribly echoed in Cthulhu's return and subsequent scouring of the Earth (recall that HLP was raised Baptist, though he renounced that faith), the fear of finding out that your ancestors were not what you were lead to believe and that you can't choose your own fate, the shock of discovering that maybe a brilliant artist is not as imaginative as everyone believes. The list goes on.
So how do you do something like that in Pathfinder/D&D or Traveller, specifically without invoking Elder Gods and Non-euclidean dimensions?
I'm not sure, but here are some thoughts.
Traveller
Traveller's Third Imperium (The 3I) is in theory the easiest type of setting to convert to horror, since it rests in the conventions of the real world. However, it already has some "Elder Gods" (The Ancients - not godlike in stature, but certainly in power), hidden secrets (like who the Ancients were - spoiler alert from the 1980's: they were a mutation of a reclusive alien species found in enclaves throughout charted space), strange madness inducing phenomena (some people go mad seeing jumpspace) and hints that there was something more going on with how interstellar travel worked than anyone really knew.These elements were not blatant expressed in the setting though. In fact, I suspect very few groups actually explored the darker side of the Traveller universe, preferring to focus on its decidedly humanistic and capitalistic themes. Mongoose Publishing's "Secrete of the Ancients" campaign did a good job of re-casting the Ancients as a living force within charted space, and had a nicely Lovecraft-y feel without invoking squid-headed super-beings. (Though there were some interesting ways that the Ancients achieved immortality.) But in the end, it was a Humanist's view of extradimensional horror seasoned with a dash of conspiracy theory, not something that contradicts your concepts of what reality is.
Clearly, something like Mass Effect's Reapers would work for Traveller, though they're more directly Cthuloid, not being "alive" as we know it, etc. But the Reapers are still re-skinned Elder Gods, returning when the stars are right to cleanse the galaxy for their own twisted reasons.
Where can we go in Traveller to reach the disturbing "We were SO WRONG ABOUT EVERYTHING" state required by cosmic horror?
Maybe psionic powers are really a mental connection with higher-dimensional beings from "jump space", who can cause the familiar psionic effects, but at a terrible if not obvious price to the psionic. And maybe these beings have a plan? Maybe that's too obvious - science is wrong, mystics are right seems like a cop-out.
Maybe the dawning realization that the entire Nobility structure of the 3rd Imperium is in fact composed of "Manchurian Candidate" type Bioconstructs. And maybe they have been deliberately directing technological progress for the last thousand years, relentlessly pushing for higher and higher power jump drives. And now, misjumps seem to be happening more frequently than in the past. Recently, a long-missing ship has appeared in the outer system with only minimal power signatures on board. A local professor wants to hire a ship to investigate....
Better, even if it's a little "God Emperor of Dune" crossed with the Star Trek:TNG episode "Conspiracy". It undermines with the understanding of how society works, if not the structure of the universe itself. That fits well with Traveller's humanistic focus, which might be a drawback to the concept.
I suppose you could imagine some setting in which punching ships through jump space is disturbing some sleeping entity (reverse-Azathoth?), but then we're back to re-skinning.
Pathfinder
(Sorry, Pathfinder doesn't have an iconic title format like Traveller does, and the web doesn't have their font. But that's not a bad match for the color.)Pathfinder is already rife with Lovecraft inspired nastiness, but none of it is truly creepy. (ok, maybe Aboleths....) Of course that's because once you catalog something, it's no longer surprising. Many write ups have great atmosphere when you first read them, or really stop to think about them though. But ultimately, it's just another kind of monster to defeat or flee from. Paizo does a good job with huge, world-shattering plots and clearly are fans of Lovecraft (almost too much so, I sometimes think), but I wonder if it would be possible to take a more subtle approach?
What does that cosmic horror even mean in a world with magic, demons, aberrant horrors and monsters? Can you add anything that would invoke actual horror for the players?
What we need is to take something simple and fundamental to the setting, and turn it inside out, changing the significance into something more horrible than you would expect. That's not as easy as it sounds, since countless authors before you have already pushed the envelope on this one.
To really up-end a D&D type fantasy setting, you would need to do something screwy like have the entire thing be happening inside The Matrix. That's right, not magic and gods, but a transhuman post-singularity setting, where reality was a simulation that could be hacked from the inside. The "twist" is that though reality appears infinitely diverse, full of life, magic and will, it is in fact only the shadow cast by cold data, interacting in complex but ultimately artificial ways. Fantasy lives because of the wonder and infinite potential of the fantastical realty. Showing all that to be merely an illusion would be soul-crushing to a denizen of such a reality.
But would that be cosmic horror for the players, or their characters? I imagine it would cause more than a few players to stop playing, though that's only a victory for horror in a meta sense....
As I mentioned at the start, I don't have any good answers. I'm curious if anyone reading has some ideas how to bring cosmic horror to RPGs without simply invoking Lovecraft's memory.
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